Seedhe Maut releases their new mixtape “DL91 FM” under their independent label DL91. With 30 tracks, fresh collaborations, and unfiltered storytelling, this project marks a defining moment in Indian hip-hop.

On May 15, 2025, Delhi’s gritty soundscape got a fresh transmission – Seedhe Maut’s latest mixtape “DL91 FM”. This isn’t your regular drop; it’s a post-label era manifesto. Calm and Encore, now free from Azadi Records, are calling the shots from their own turf under their independent label, DL91. The mixtape isn’t here to reinvent the wheel, but to steer it with more control, more vision, and zero compromise.

30 Tracks, One Frequency

With a staggering 30 tracks, “DL91 FM“ isn’t just a mixtape, it’s an extended broadcast from the streets of Delhi. It brings together the full roster of the DL91 label, weaving in voices that reflect both the grit and evolution of desi hip-hop.

“DL91 FM” plays like a pirated radio station broadcast from a busted-up rooftop in South Delhi, raw, unpredictable, and full of coded truths. 

There’s no polish here for the sake of mainstream appeal, and that’s what makes the project cut through. Hurricane, who’s practically stitched into the duo’s sonic DNA at this point, runs the production booth with an ear for chaos and clarity. 

His fingerprints are everywhere, from layered beatwork to the final master. And when he hops on the mic, it doesn’t feel like a feature, it feels like family.

Features That Feel Like Crew Energy

This time, the mic isn’t just a two-man affair. Lil Bhavi’s presence is slick and unforced, meshing with the vibe like he’s been part of the Seedhe Maut universe from the jump. OG Lucifer and GhAatak, names that don’t show up on your average Spotify playlist, bring in the dark matter, the kind of verses that feel more alleyway than billboard. 

Ab-17 offers a different shade, not trying to outshine but underline. Bhaskar, meanwhile, pops up across tracks like “Banda Down”, “Barsaat”, and “Mud” with sharp storytelling that doesn’t try to preach but still lands heavy.

There’s also an interesting footnote surrounding the track “Bechara”. While fans speculated a possible feature by Samay Raina, no vocals or writing credits from him appear on the final version. Rumors suggest he might’ve contributed with a guitar piece behind the scenes, but there’s no official mention in the liner notes. 

It’s the kind of low-key mystery that adds to the underground folklore, quiet cameos in a scene that’s always watching.

A Self-Built Soundscape: From Studio to Screen

The entire project was recorded at DL91 Era Studios, and it sounds like it. There’s a sense of ownership in the sonics, the kind of creative freedom that doesn’t ask for validation. 

The visualisers, crafted by Kyabc, carry the same DIY defiance. They’re not pushing for virality; they’re building a world.

“DL91 FM” isn’t perfect, and that’s the point. It’s jagged where it needs to be, loose in places where the energy takes over structure. But it’s cohesive in intent. This project marks a pivot, not just for Seedhe Maut, but for indie hip-hop in India.

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